“Optics in the nineteenth century was a powerful device, as spotted in the most sophisticated outside-the-box art. Claude Monet learned from reflections in ponds which shattered the images on the brightest days, Edouard Degas directly from photography, Thomas Eakins from a super-refined camera optic lens, Pierre Auguste Renoir took the more complicated route of enlarging with a lantern slide projector in studies for The Bathers. Once taught these photographic illusions they stayed with artists for the rest of their lives and artworks using optics were originally passed down, as magnificent art paradigms of their time, through the museums, the teaching of artists to their students, art shows, and works in homes of the wealthy. Studies and optical techniques were originally kept secret so the artist gave the mysterious illusion of creating masterpieces with an impersonal scientific element, appearing to be using only his eye and brush. The mechanics of optics gave artists a mechanical advantage.”
Paul Cezanne fractured light but kept the tonal shadows as exemplified, using photography.
Thomas Eakins was the first known artist to paint the photographic optics of the moving image camera, originally in America and then in France. Gustave Caillebotte, Renoir’s Photographer friend, and great painter whose works were shown in Impressionist exhibitions began as a photographer. He shared his use of technology in optics, use of slide projection, and lantern slide projection, with Renoir. Renoir traveled to Italy during this time, where Raphael’s frescoes inspired the classical figurative poses in his iconic painting, The Bathers. After returning from Italy Renoir made a pastel modello for the Bathers which was later used for projections as illustrated for the first time in Renoir And Optics. Also see, for the first time, Renoir’s famous studies projected to create new studies and paintings.
Very,very interesting.Congratulations on this publication….it certainly is very ‘illuminating’.
I hope the museums explore these findings.
Informative and thoughtful … many compelling observations.
Erinn Morgan, Editor In Chief of Eyecare Business Magazine says of https://renoiroptics.com/ “This is very cool, and love that you can flip thru the book when you visit the site…it looks amazing—congratulations on a fantastic accomplishment”
Love this! Those guys were such Art revolutionaries. Fascinating stuff.
bravo très interessant j ai beaucoup aimé lire toutes ces informations
bravo à vous
fascinating….whole new approach to viewing Renoir and his cronies.
Wow!! Great to see the work that you have put into this book. I’m looking forward to having more time to study and learn!! Thank you for publishing it!!
Great book that discusses a very interesting aspect of art that is rarely discussed.
Love this! congratulations, so informative and well written. I was recently reading how photography revolutionized modern painting. Picasso and his colleagues concluded that photography was far more representational than painting, and painting needed a new language. This was the basis for his groundbreaking Le Demoiselles d’Avignon, …who knew!?
Congratulations
What a fascinating book! Art and science go hand in hand and benefit from each other. Thank you for delving into this interesting aspect of Renoir’s beautiful work.
Most informative study that sheds a new light on the techniques used by many artists during the developmental period of photography and optics!
Great read
A wonderful perspective that was illuminating and so enjoyable!
I LOVE THIS BOOK! Renoir And Optics is an enlightening enjoyable read investigating the influences and use of lenses in Late Nineteenth-Century Art. The Illustrator, Robert L. Smith is a scientist using a new technique to overlay one beautiful study over masterpieces and master studies to show their true relationships. Merrilee Cohen writes about the technology of the period joyously entwined into iconic paintings by Gustave Caillebotte, Thomas Eakins, Paul Cezanne, and Auguste Renoir. A sensitive new exploration of these masterpieces.
Really amazing. I had no idea that all those great works were so intricate
I think that there is no question that the Capture of Moments aspect of all artistic pursuit is not merely aided by lenses and photography, but greatly enhanced by mechanical reproduction. The task at hand can be much more deeply pursued, without the need of assistants and tedious copying. It is in no way surprising that all serious artists have always utilized the latest technological advancements of their respective eras in the timeline of history, Still Lifes and sitting nude models in a room full of art students still has some value, I suppose, though probably not in advancing production.
Well researched! A good read!!
Well that now changes the way I look at art. What an interesting book. Technology’s use and influence in art (cameras & magic lanterns) in Renior’s day. I agree with Gary Tinterow in that they are just tools which talent can make use of. Congratulations Merrilee Cohen, optics is in your blood- lines up with your other career ☺️😘
Very intruiging technique! Congrats on the book!
2022 Pleiades Award Recipient, Erinn Morgan, The Editor-in-Chief and Editorial Director of the award-winning Eyecare Business magazine, On Renoir And Optics going hard copy, “Wonderful news, congratulations on your book, Merrilee, it’s fantastic!”
Actually, it seems that the use of optics was a brilliant idea on the impressionist painters part, enhancing their capture of light and style…who knew! You explained the intersection of science and art very well, so even me, the novice art appreciator could understand. Congratulations again on the book Merrilee !
So interesting! Congrats